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Extra info for Again the Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
Wir haben versucht, klarzustellen, worüber wir sprachen, ohne einen Text darüber zu schreiben. Es ist ein tolles Buch, es ist öffentlich zugänglich, leicht zu ﬁnden und auch in Bibliotheken erhältlich. Der Schlüssel zum Verständnis, was Kunst sein sollte und was Kunst ist, steht in Verbindung mit Heinrich Heine, «Du bist wie eine Blume». » John Baldessari Genau, und du sprichst über etwas, indem du über etwas anderes sprichst. 58 what you have to do … It’s something we already did. We tried to make it clear what we were talking about without writing a text about it.
Don’t you have second thoughts about why you are doing them? Lawrence Weiner No, because I get up in the morning and go to work. I accept the fact that there is a reason for the price of the work because I continue to place it in society, whether it is rejected or accepted; it is my job. And other people ﬁnd that the work helps them to understand something, and they have the extra cash. I don’t really have that guilt. I have guilt when I have to get up and be a Lebender Kasper, when I have to get up and be a performing person just in order to bother them with what I do.
We tried to make it clear what we were talking about without writing a text about it. It is a great book, it is public, it is easy to ﬁnd, and it’s in the libraries. ” John Baldessari Exactly, and you talk about something by talking about something else. Lawrence Weiner A rolling stone is very evocative material. But “like a rolling stone” is not evocative material. You see everybody you don’t like rolling down the side of the road and getting completely destroyed on their way down. Cristina Bechtler Are you worried about the price of art going up or going down?
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