By Julia Watkin
The A to Z of Kierkegaard's Philosophy offers a contextual advent to Kierkegaard's nineteenth century global of Copenhagen, a chronology of occasions and key figures in his existence, in addition to definitions of the foremost platforms of his thought-theology, existentialism, literature, and psychology. The vast bibliographical part covers secondary literature and digital fabrics of aid to researchers. The appendix comprises distinct info on his writings, besides an inventory of his pseudonyms.
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Extra resources for A to Z of Kierkegaard's Philosophy (The A to Z Series, Volume 157)
Nobody who does not love chaos is a creator, and whoever is contemptuous of illness must not speak of the spirit. There is value only in that which bursts forth from inspiration, which springs up from the irrational depths of our being, from the secret center of our subjectivity. The fruit of labor, effort, and endeavor On worthwhile noticing how the domain of esthetics narrows gradually as it approaches serious reality and crucial life events. Death, suffering, and sadness negate esthetics. Death and beauty are totally opposed notions.
As far as I am concerned, I resign from humanity. I no longer want to be, nor can still be, a man. What should I do? Work for a social and political system, make a girl miserable? Hunt for weaknesses in philosophical systems, fight for moral and esthetic ideals? It's all too little. I renounce my humanity even though I may find myself alone. But am I not already alone in this world from which I no longer Total Dissatisfaction expect anything? Beyond present-day common ideals and forms, one might breathe in a superconsciousness where the intoxication of eternity would do away with the qualms of this world, and where being would be just as pure and immaterial as nonbeing.
Regret reveals the demonic significance of time: while bringing about growth, it implicitly triggers death. Regret makes man melancholy without paralyzing or cutting short his aspirations, because in regret the awareness of the irredeemable focuses on the past and the future is still left somewhat open. Melancholy is not a state of concentrated, closed seriousness brought forth by an organic affliction, because it lacks the terrible sense of irrevocability so characteristic of states of genuine sadness.
A to Z of Kierkegaard's Philosophy (The A to Z Series, Volume 157) by Julia Watkin